Orangewarrior – Robo Suite Vol 12 – Moar BASS

23 10 2009

robo suite 12

Click HERE or on the picture to download 1hr mix of some beats & pieces . A gentle start that evolves into some dancing musicks.

Now updated to stream live or download from Soundcloud – click HERE

Traklist:

  1. Ochre – Napolese
  2. Florence & The Machine – You Got The Love (The XX remix)
  3. Hint – Tape Packs
  4. Joy Orbison – BRKLN CLLN
  5. Dorian Concept – Trilingual Dance Sexperience
  6. Bok Bok – Ripe Banana
  7. Chrissy Murderbot – Whine U (Bok Bok remix)
  8. Florence (again! Sorry!) – Drumming Song (Boy 8 Bit remix)
  9. L-Vis 1990 – Murder
  10. Gucci Vump – Sha! Still! (L-Vis remix)
  11. Modeselektor – Seamonkey (Untold Remix)
  12. Mark Pritchard & Om’Mas Keith– Wind it Up
  13. Neil Landstrumm ft Profisee – You Cant See Me
  14. Rustie – Bad Science
  15. Datsik – System check
  16. DJ Madd – Better With You (Akira Kiteshi remix)
  17. Excision & Datsik      – Swagga
  18. Skream – Wiggley
  19. Cookie Monsta – Dirt Deep Drilla
  20. Mike Ink – Paroles
  21. Chrissy Murderbot ft Miles Bonny – Thighs
  22. SMD & Beth ditto – Cruel Intentions (Joker Remix)

runtime – 59mins 320kbps bit rate for full BASSism File size 135Mb Enjoy!





in defence of District 9

9 09 2009

district9-4

 

Okay, so I’m going to break my own rules for this one instance and INCLUDE SPOILERS in this little rant of mine..  D9 has been out in the UK for the best part of a week, and I’ll make no bones about it – I LOVED every minute of it.

So, it was a great surprise when I opened my emails on Monday morning to read the opinions of 3 different friends of mine:

“terrible film”

“unoriginal & full of plot holes”

“disappointed it was jokey like Men in Black.”

 

I had to double check we were still talking about the same film, after all they’d also watched Bruno over the weekend, so perhaps I was getting my wires crossed?  Anyway, it seemed that I wasn’t, and after listening to the ongoing panning I decided to jump to the film’s defence, which is what follows.  As previously stated, I am unabashedly euphoric about the D9 cinematic experience, and can only enthusiastically wait for whatever director Neill Blomkamp does next. 

Should you be unfamiliar with Blomkamp’s track record allow me to guide you to:

His Halo test reel & trailer

Alive in Jo’Bourg, the original short that inspired D9

Spy Films, which has been linked to on this site since the day I launched it.

 

Anyway, onto my little rant.. as I say, this is FULL OF SPOILERS so please only read on if you’ve already seen the film..

 

“They said very early on that these were “worker bees” – drone sorts of aliens who couldnt think for themselves and the Leader Class must have either died out or gone away. . .  The workers didnt have the insight to use the weaponry and saw it only as stuff to barter for cat food. . . Christopher being identified as more intelligent than the rest was what set him apart.

There were an awful lot of unanswered questions – why were they there at all? where WERE the leader aliens? would they return?  .
Personally I enjoyed that the questions went unanswered – it wasnt Star Wars, it was a moment of human / alien interaction that is clearly a fragment of a far vaster jigsaw.

 . . I suspect the more subtle elements might have washed over too – the signs saying “No Aliens” etc subtly pointed out to a time when they were free to integrate to a certain extent, but the Humans / Corporations had herded them into D9.

As for the weaponry – the director is a self confessed sci fi & robot geek – the Gravity cannon was stright out of Half Life, the robot suit was elements of ED209, Gundam Wing, Iron Man and prob a handful of other movies..  So what if he borrowed elements from pop culture? Who doesnt? At least he distilled it into a pretty fckin badass action sequence. . .  As for weaponry out of computer games like firing the pig carcass . . YOU may have seen that in a computer game, but how many people have seen it in the cinema?

I dont think it was MIB jokey at all – all the characters were completely selfish pricks who were only out for themselves – even the “hero” only stepped up towards the end once he realised hed have to get his act together if he wanted to be cured. It was dirty smelly ugly disgusting humanity at its lowest.. Admittedly the Nigerians were a bit of a caricature, but no more so than Skrewface & co in a Steven Seagal movie.. bearing in mind the whole movie riffed off 80’s action flicks, I dont think you can begrudge it having some 80s Action Baddies.

It didn’t spoonfeed the audience but if you looked there were plenty of signifiers to show you the corruption and prejudice – like the little old lady saying they’ll kill you for your phone, but meanwhile theres a drone prawn happily snuffling through the rubbish in the background – why didnt he just slaughter her and the camera crew? 

I thought it was great fun – it made you think (a bit . .  well, more than anything else this summer anyway); the effects were continuously seamless and beautiful to behold, the weaponry and man-splattery was cheer-inducing, and whilst the pantomime baddies got their just desserts, the conflicted focal characters were still left seeking redemption at the end, leaving the story hanging for the next chapter, or just poignantly ending there.

If you didnt like it, that’s your opinion and youre welcome to it, but for a $30 mill movie made by a 1st time director, i thought it blew Michael Bay’s $250mill bloated mess of Transformers 2 out of the water, and heralds the arrival of a strong new directing talent in modern cinema.  If it wasnt for you, then get back to your Wolverine Origins dvd

:)

 

 

Rant Over.

Spoiler-Free normal service will now be resumed.

Whilst I remember, the keener-eyed of you may have noticed that I was originally relatively complimentary about Transformers 2.  Allow my indulgence & disclaimer here, that although I was conflicted and enjoyed moments of TF:RoTF, by the second inevitable viewing those few moments of joy were nothing compared to the endurance test of the other 2hrs 25mins. Whilst the 2007 Transformers movie was faithful enough to the 1980’s G1 that I loved and cherished, the sequel strayed so far from the source material that it felt like Optimus Prime had been kept in there simply as a way to convince fans this was indeed part of the same franchise..  A sad realisation for me, and one that I hope is resolved with a return to the Marvel / Hasbro roots of the franchise in the 3rd installment.

Anyway, a review of District 9 felt moot to me, but I just wanted to say my piece before the inevitable backlash and naysayers, and now that’s done.





Le Donk & Scor-Zay-Zee film review

7 09 2009

le donk & scorzayzee

Shane Meadows continues his highly fruitful relationship with Warp Films – a collaboration that to date has created modern classics Dead Man’s Shoes and This is England. Shaking things up a bit, he and producer Mark Herbert have embarked on a new venture – The 5 Day Feature. Cryptically enough, this involves filming a complete production in the limited time span of 5 days, the first fruit of which is “Le Donk”.

Posing as a documentary, we find Paddy Considine as the eponymous “Donk”, a roadie / blagger who is trying to get rotund rapper and tenant “Scor-Zay-Zee” a warm up slot performing before the “Article Monkeys.” Hot-headed Donk is a maelstrom of enthusiastic energy, firing off misinformed non-sequiturs and unpolished pearls of wisdom to anyone within earshot. Stopping off at Donk’s heavily pregnant estranged girlfriend (played by Olivia Colman), the limited film crew then follow Donk & Scor-Zay-Zee on the long drive from Nottingham to Manchester’s Old Trafford, whereupon Donk sets about finding some work for his protégé.

Considine is on the screen for nearly the entirety of this film, and when he isn’t, you can’t wait for him to return. Clearly improvising a lot of the dialogue, he’s created a believable and sympathetic character who I suspect will lodge himself in comedic consciousness for a long time to come. It would appear that Donk has been a character since the mid-nineties, but for much of the audience this film will be their first exposure to him, and one can only hope not the last.

Peppered with the odd cameo by the Arctic Monkeys, Le Donk plays like “Alan Partridge on tour with Bad News.” It is a heart warming little film that you will not want to end, and you will want to quote all the best lines to your mates afterwards. More Please!





Miss March: Generation Penetration movie review

7 09 2009

suck my dick while i fuck that ass

Stars and creators of American sketch show “The Whitest Kids You Know” make their leap into cinema with this effort, which has inexplicably attained the subtitle “:Generation Penetration” since arriving on these shores, just to really spell out that This Is A Teen Sex Comedy.

Zach Cregger & Trevor Moore play the film’s two leads – Eugene & Tucker, apparently lifelong friends with little in common, Eugene preaches abstinence at high school whilst Tucker does everything in his (limited) power to lose his virginity. A trepidatious Prom Night appears to herald Eugene’s sexual awakening, only to be confounded in a 4 year coma. When the reluctant lover is eventually roused, he discovers that his high school sweetheart has naturally and inevitably become a Playboy Bunny (can you guess which month?). Before you can say “contrived juvenility” the two heroes are on a country-crossing road trip to rescue the girl from the evil clutches of one Mr Hugh Hefner, and no doubt learn some life lessons on the way.

Miss March is about as low-brow as it can get – dribbling bodily fluids from every scene, it makes films like American Pie and Harold & Kumar seem like Solaris in comparison. Not having seen any of “The Whitest Kids..” it’s impossible to comment on how well the transition to the big screen was made, but if you’re likely to be amused by someone repeatedly hitting themselves in the groin whilst chanting “Poo, Bum, Willy, Fart” then this is probably the right sort of film for you.

This may of course sound damning, but there is undeniably an audience for it, and if you are in the mood for escapist puerile nonsense, then this would be a far stronger choice than anything the Wayans Brothers have squeezed out recently, whilst we all wait for The Hangover to arrive on dvd.





Mesrine part 2: Public Enemy No 1 movie review

31 08 2009

 

mesrine_2

Deftly picking up the narrative from Part 1 without even a recap, this is not a sequel so much as a conclusion of Jacques Mesrine’s life story. Whilst it is strong enough to exist on its own, audiences would be well advised to see this only after watching the first part.

At the start of this chapter, Mesrine is already well established in the French media as a raffish rogue, ennobled to the public by his daring prison escapes, and enjoying the trappings of his notoriety more than the life of crime itself. The opening act sees a capture by the police, the inevitable bold escape from which leads Jacques and the audience on a prolonged road trip as he continues to elude the authorities. Once that journey eventually exhausts his attention, it’s back to high profile kidnaps and courting the media – a path that can lead to no good, and one that ultimately brings the audience inexorably back to the first scene from Part 1, and the last of Mesrine’s life.

Once again, Cassel is on blistering form throughout this, dancing from “Charismatic Media Whore” to “Grotesque Monster” in the blink of an eye, seemingly without qualms about his sometimes absurd metamorphoses, chin-strap beard included.

The film is a bit more Cat-and-Mouse than the former, so we are allowed to spend time with the increasingly frustrated police force, and by the time the credits roll you may find yourself less certain about which side to root for.

It’s refreshing these days to see a biopic follow the full length of a man’s life, rather than just a specific chapter from it, and the combined 2 parts of Mesrine have done that expertly. A rare achievement in itself, hampered in no way by the consistently high production values and acting calibre – miss it at your peril.





Avatar Day – movie preview

21 08 2009

 

Avatar versus the jellyfish

 

It seems somewhat absurd to be reviewing what is essentially a trailer, but James Cameron’s gargantuan Hype Machine is shifting into 2nd gear, the result being a global event showing 15minutes of teaser clips in Imax cinemas, and cannot be ignored.

Numerous people have already documented a shot-for-shot rundown of what footage was shown, so I’ll spare you the minutiae and concentrate instead on my initial thoughts and reactions.

Prior to today, Titanic Jim has kept his cards pretty close to his chest, espousing hyperbole such as “revolutionary techniques,” “game changer” and “photorealistic CGI.” Well, unsurprisingly, the reality of the situation could never match up to his own self-aggrandisement, the 2D trailer was unleashed yesterday, and inevitably led to snarky and negative comments all around the web. “Ferngully in Space” ; “The Smurfs v The Matrix” ; “Dances with Wolves featuring the Cat People” are amongst the more imaginative reactions, “It looks shit” and “seems my Xbox broke” feature amongst the less-so.

3D technology is still an enigma that a large portion of the cinema going public appear to wrestle with, and indeed in the opening few shots I worried that I was all set to experience a flashback to Superman Returns where headache inducing incoherent noise was tirelessly blasted at me. It was a great relief then that after a brief settling in period, the 3D appeared to be crisper and easy to process. In later shots based on the alien planet Pandora, JC cannily uses the architecture of the jungle to frame shots and generate field depth – minor details like a cloud of mosquitos create a haze that makes the viewer realise you’re having to look through them to see the action. Somewhat ironically, what jolted me as the most 3D element was when one of the indigenous Na’vi spoke in their native language, and bold subtitles leapt out of the screen.  If you have been lucky enough to see Pixar’s UP in 3D, there is nothingly instantly revelationary here, although the seismic shift from a pure CG model to one featuring live-action actors is undeniable.

As for “photorealistic CGI” – we appear to be straddling something known as the “uncanny valley” – 10 foot tall blue furry cat-like warrior people do NOT appear to be authentically realistic – who could have seen that coming??? I suspect part of this is because we know that such creatures don’t feature in our day-to-day waking life, and so a part of the brain rejects the “truth” that we are seeing on screen. It is undeniable that what we are seeing in Avatar is CGI, but I must counter that to date, the bar was set with Robert Zemeckis’ mo-cap Beowulf. This blows Beowulf well and truly out of the water – the detail of facial expressions, body movement, and the animation of bizarre alien creatures are all of a standard previously never seen. My knee-jerk reaction was that this will make Jar Jar look like the cartoon we always knew he was. Na’Vi and Avatar alike are instantly recogniseable as actors Sam Worthington, Sigourney Weaver, and Zoe Saldana, even thought theyre seen as alien blue behemoths. Being a fan of robotica and future-mech, I must admit I’m genuinely excited to see the human’s Power Suits and military hardware which only gets the briefest of look-ins here.

From what we have seen in the last 24 hours, it would appear that despite all the fantasy and sci fi elements, not to mention technical prowess, Avatar will be bringing a fairly conventional story arc that would imply the Dances With Wolves comparison isn’t entirely unwarranted. I suspect that this is why there has been such a surprisingly negative reaction from various quarters. District 9 comes to mind as a Young Turk sort of a film that is eager to try something fresh with established technologies, whilst Avatar is seemingly seeing the Old Establishment do what it’s always done, but just a whole lot shinier and more-polished.

In summary, I think what was shown looks stunning – the environments, creatures, and creations all look beautiful, and whilst 3D could easily be dismissed as a gimmick, it is a gimmick that I will not be wanting to avoid when I find myself in the Imax on December 18th. The footage was intruiging and certainly made me want to go back to see the completed product. James Cameron may not be Jesus but he has the same initials, and the jury is still out as to whether Avatar is likely to be his Second Coming – the marketing men will still have a long way to go to convince Normal People and not just Film Nerds that this is something they will want to pay their £14 for. What can be said for certain is that we can look forward to a roller-coaster ride showing off what Cameron has always excelled at, namely: action sequences that the eye can follow, interesting characters not just teen-bot cardboard memes, and some good old fashioned robot porn. Watch out Michael Bay, Jim’s back to show you how it should be done.

 





Mesrine: Part 1 – Killer Instinct movie review

4 08 2009

honheehaw

It would be increasingly hard to dispute that Vincent Cassel is France’s most prolific and versatile actor living today. His starring role in 1995 Parisian ghetto drama “La Haine” brought him to the attention of the world; subsequent roles in infamous works such as Dobermann, Eastern Promises, and Irréversible have shown that he’s not averse to the darker end of the cinematic spectrum, whilst cameos in Hollywood farce like the Ocean’s.. trilogy have shown his more playful side.

Gangster biopic “Mesrine” deftly marries these elements, bringing out his best. “Mesrine: Part 1- Killer Instinct” is an Origins story, telling the rise to (in)fame of the notorious French gangster. Starting in the late 1950’s, the film tracks 20-something Mesrine’s return from the Algerian War, his dismay at civilian life, and inevitable segue into the criminal underworld. It would seem that Mesrine is something of a Robin Hood cult hero in France, an attitude that is perpetuated in this film.

Whether you are familiar with the real-life facts or not, this is an incredibly stylized and stylish portrayal of the man’s life, feeling at many points like a Scorsese and De Palma collaborative project that has been lost in the archives since the mid-70s. Cassel appears to be channeling Early De Niro, happily losing himself in the role as cheeky anti-hero Mesrine, going through the numerous physical metamorphoses, identities and disguises that the role dictated.

Both parts of the Mesrine biopic have been massive box office hits in their native France, and it is easy to see why – a witty script, powerhouse acting performances, the odd flash of ultraviolence, and oozing Gallic style from every pore. Of course, the small matter of subtitles may be enough to deter the curious English-speaking punter, but really shouldn’t be insurmountable to anyone who has any interest in seeing one of the most enthralling and exciting gangster movies of recent history.





Orangewarrior – Robo Suite Vol. 11: Thugstep

15 07 2009

robo suite 11

Lary bass & wobble n that. Geeza Geeza Geeza.

Click HERE or on the picture to download.

1. Herbdout – Get Mad

2. Reso – Beats in the Basement

3. Jack Beats – Calm Down

4. Bruce Stallion – Screw You

5. Redline – Altered States

6. Sick Cycle – Hive Mind

7. Datsik – Boom

8. Datsik – Retreat

9. Skism – Rise of the Idiots

10. Skism – The Blank (16bit)

11. 16bit – PCP

12. Borgore – Foes (16bit fuckhoes remix)

13. DZ – Dubstep is Boring

14. Cookie Monsta – Bliss

15. DZ – Just Rollin (Akira Kiteshi remix)

16. Rico Tubbs – Gangsters (Tes La Rock mix)

17. Shuttle – Tunnel (High Rankin remix)

18. Freeland – Do You (High Rankin mix)

19. Rampage – War (Blatta & Inesha mix)

20. Rico Tubbs – Bmore Dominator

21. La Roux – In For The Kill (Skream’s Let’s Get Ravey mix)

22. Two Fingers feat Sway – That Girl (Spor Remix)

23. Spor – Aztec

24. Bad Company – Bullet Time

25. Nero – Act Like You Know

26. VV Brown – Shark in the Water (Blame music takes you remix)

27. High Contrast – Basement Track (HC Upstairs mix)

1hr 25mins

192kbps

117Mb file.





Brüno – movie review

9 07 2009

bruno bruno bruno

 

 

Brüno is a provocative and confrontational work of cinema, thankfully it also happens to be hilariously funny. Essentially a gay “Borat 2,” Sacha Baron Cohen and his production team revisit the comedic fertile ground of aggravating unsuspecting individuals; this time however, Baron Cohen’s assumed persona is that of “like, totally” uber-gay Austrian fashionista Brüno.

Following a similar outline to his previous film, we follow the lead character in what is essentially a series of sketches wherein naifs are forced to question their preconceptions until they burst. To Brüno, everyone is fair game – celebrities, TV studio audiences, senators, PR agents, swingers, rednecks, and even Islamic terrorists.

Unquestionably, this is a far more extreme outing than Borat’s, and most audiences will be watching through their hands or flinching from some of the more shocking sights on display. However, the same weaknesses the occasionally plagued Borat are also on show here – numerous bridging scenes that purport to be genuine are clearly anything but; the contrived “funny foreign accent” inflections become a mite too repetitive; and the “storyline” is merely a frame upon which to hang the various awkward encounters. Jokes about fellow Austrians Hitler and Schwarzennegger are perhaps over-done too. These quibbles over plot or continuity soon fall to the wayside however, as the set-piece stunts are genuinely breathtaking, both in their intensity and context. Having lost the anonymity that was afforded him with Borat, Baron Cohen clearly has had to work harder to not be recognised this time round, and yet his new-found celebrity status is cleverly integrated with some well placed A-list cameos.

Brüno may be “harder” than Borat (if you’ll excuse the pun), but overall somehow suffers from an element of déjà-vu. Sacha Baron Cohen is clearly a master of bad taste, a very brave and unique comedic voice, and he should be applauded for his achievements & dedication to his work. That being said, the brisk running time of 80mins was more than long enough to make a lasting impression, and perhaps a signal for England’s most successful comedian to move onto pastures new.





Orangewarrior – Robo Suite Vol. 10

6 07 2009

robo suite 10

Mad Decent Electro Breaks, Bass ‘n’ B’more.

Click on the picture to start download.

Wobble Wobble Crunk!

Tracklisting:

1. Bounce Camp – Good Beat

2. DJ Blaqstarr – Supastarr 2.0 (tactic mix)

3. Totally Extinct Enormous Dinosaurs – Bournemouth

4. Mighty MY & Diplo – Shake that a$$ party break

5. Don Diablo – Too Cool For School (Trevor Loveys mix)

6. N.A.S.A. – Whachadoin’ (accapella)

7. Walter Lily – Shake a Leg (Jokers of the Scene mix)

8. Boy 8 Bit – Baltic Pine

9. Miike Snow – Animal (Fake Blood remix)

10. Diplo & Blaqstarr – Get Off Bonus Beats

11. Diplo & Blaqstarr – Get Off (Jack Beats remix)

12. Jack Beats – Get Down

13. Heavyfeet – Get Crunk (a1 Bassline remix)

14. Kid Sister – Get Fresh (Alex Gopher)

15. Kissy Sellout – This Kiss (Jack Beats remix)

16. Jaimie Fanatic – Suckaz They Don’t Know

17. L-Vis 1990 – United Groove

18. Sharkslayer – Skanking Riddim

19. Rico Tubbs – Boom Riddim (Sharkslayer remix)

20. Twocker – Stitch (Bass Kleph remix)

21. Rob Threezy – The Change Up

22. Lethal Bizzle – Selfridges Girl Not on Myspace (boy 8 bit remix)

23. Pomomofo – Back at the club

24. Dave Spoon & Zinc – Ghost Train

25. Zinc – Submarine

26. Tiga – What you Need.

As ever, enjoy!

81mins dur,

192kbps,

115Mb.